Welcome to Tass Times in Tonetown, where the ‘80s collided with science fiction and nobody cleaned up the mess. It’s a bizarre adventure full of punk hairdos, neon colors, and talking dogs who wear sunglasses. The interface is half-text, half-graphic, and entirely trippy. The writing oozes surreal humor and self-aware weirdness, long before “weird for weird’s sake” became a trend. It’s confusing, campy, and absolutely unforgettable—like if Miami Vice was directed by David Lynch after a sugar binge.
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